Kategori: English version

The Wren

155.    Nimble, leafy brown, earthbound thing,
        The tail erect, the rear held high,
        A short dash across the forest floor;
        Strength ticking inside the bird.

156.    Her heart beats in a rush of blood
        Hundreds of times each minute.
        She moves in whips and thrusts;
        Eye-popping power on thin legs.

157.    She cuts time sequences to shreds,
        Jumps here and suddenly there;
        Something's amiss, a choppy vision,
        She moves about in skips and starts.

158.    Her metabolism is so high
        You would think the bird’s aboil.
        She must feed without pause
        Her runaway miniature body.

159.    As a wren incarnated
        I write a novel each morning,
        Devour a Sainsbury a day,
        Run to Rome and back in a week.

160.    But that’s just idle thought;
        I would collapse from heart failure
        Within the first few minutes; dead
        From exhaustion, stress and cold.

161.    I will never even come close
        In energy, athletics and appetite,
        In mental prowess, in courage,
        In heart beat, in biological clock.

162.    But she has taken to my grounds,
        Finds food under the garden oaks.
        I know her song; I see her often:
        A tarantella, a whip and she’s gone.


New in Index Ten Thousand:
Power • 155,  Heart • 156, Time sequence • 157, Metabolism: bird • 158, Run • 159,  Cold • 160, Biological clock • 161, Energy: wren • 162, Tarantella • 162,

Wittgenstein’s Garden (2)

895.    Herbal garden and kitchen greens
           facing south over the river.
        Monks living in cloister stone,
           mortar and rectangular systems.
        People with a special urge
           for the laying of paths.

896.    Monks weeding the garden,
           Mumbling among the roots.
        Spreading words among worts;
           let the ants take them.
        Many hundred years here
           at Hütteldorf Monastary.

897.    A garden assistant, just arrived,
           lives in the garden shed.
        Hard to tell man from tool,
           stiff arms, good grip.
        Self-conversing during the day
           garden gnome at night.

898.    On his knees out there,
           talking level to the ground
        Fingers loosening clay and soil
           rubbing hardened clumps.
        Fingertips on flower colours,
           nursing, digging, playing

899.    Vos colours are tangible
           on the skein, in the petals.
        Yellow is hard, blue is brittle,
           red trembles, green trickles
        Ve mix colours, mix veself,
           ve suck up colours.

900.    This cultivator of dictionaries
           and wielder of tools,
        With soil under his nails
           and colours on his fingers;
        All the words that crumble
           in the encounter with plants.


In the summer of 1920, Ludwig Wittgenstein (1889-1951) took a job as a gardening assistant in the Hütteldorf Monastary, Austria, perhaps by way of therapy. Almost nothing is known of this episode. Wittgenstein’s essay Remarks on Colour was published posthumously in 1971.


New in Index Ten Thousand:
River • 895, Path-construction • 895, Wort • 896, Arm • 897, Dig  898, Green  899, Word • 900,

Wittgenstein's Garden (1)

78.    The deer is a frozen play of colours in the frosty morning. Ears turn and eyes stare; vigilance ticking between us.

79.    The only motion is the greywhite vapour from the nightblack nostrils as the lungs pump under the coat of fur; one second, two seconds, three.

80.    Greenish, yellowish, brownish, greybrown, reddish brown, algae green, yellowish green, blackstudded, greyish, browngrey, whitestreaked, greyyellow, orangeblack, bluegreen, and yellowed red colours float frostcoated in the clear air. 

81.    This is the deer. I step out to meet it.

82.    I cannot hold colours in my hand, but I can touch them as part of something. Colours are not things, but they are visible and can be distinguished in millions of nuances for which I have no words. Colours have qualities for which there is no proof, colours give off experience that cannot be explained.

83.    And then: fear, flight and hunger. The crunch of hooves that leap across stubs and brushwood and only the white tail tips among the trees - and the image is gone.

84.    We understand in images, we feel in colours, we grope for descriptions.


New in Index Ten Thousand:
Deer • 78, Nostril • 79, Colours • 80, Step • 81, Colours, experience of • 82, Hunger • 83, Feel • 84.

Dandelion

Ve grow in cracks, ve creep out of crevices, squeeze up between pavestones, wedge into rocks, sink taproots into the soil, spread across meadows, turn green to yellow. Ve drill into the underground, ve undermine the borders, ve fly with the wind.

Ve have followed you since you first began digging holes, since you first began raking the land. Ve encircle you, ve go around you and grow with you.

Ve are elevated as part of culture, decorated as medicinal herb, included on coats of arms, used for healing, loved in play and admired as a seed.

Ve are the best, the only, the strongest memory of a childhood under an open sky, a memory of summer with sun and sweet scents, with thick air and depth of light; a wooden cottage, a flowering meadow and a garden before the fall that never came and the paradise that never was.

Ve are a memory of life before the Umworld came, before industrialisation; untouched, before the disappointment, before the sorrow, before the compulsion, before the imposition of order, before the enforcement of regimes; then, then; a careless, love-seeking, dandelion-plucking, goldsheen-refracting, pappus-blowing, sunsoaking, insect-humming, seed-flying, husk-floating memory of what they call mercy.

Stick, stock, spear.
Sweat, spit, shit.
Piss, piss, piss.
Ha, ha, ha.

Is that you again?

With your knives and pliers, your irons, your poles and daggers, cutters, hackers, slicers, incinerators, poison guns. Armed to the gums of your teeth you go to war in the gardens, on the lawns, in the fields, primed for the killing.

But ve grow on, ve propagate by root, by shoot, ve self-replicate.

Ve are indomitable.

Ve mix the hereditary materials, ve stir the genome, ve clone veself, ve make hundreds of new subspecies, just because ve’re able to and just to fill out a patch or to move over the next hill.

Ve are sovereign survivors. Ve are the raw power of evolution visible to the naked eye.

What do you call ve:

Monkshead, vicar’s pate, doghat.
Garden cabbage, swine cabbage, hare cabbage,
French salad, mole salad.
Fleawort, liceflower, pigsnout.
Trollmilk, devil’s tit, witches’ cow.
Lionstooth, dogtooth, cocktube.
Scabieswort, hangmanswort, snotflower, bogeyleaf.
Piss-in-bed, pestwort, puffball.

Ok. Ve get it.

Want to know what ve call you:

Stinkstalk, stenchstem, forker, lawnsniveller, piss-on-all, pisspartout.

Enough. You see where this is going.

In the great vevolution on the future of um ve celebrate the reproductive strategy. An adversary must be vanquished through overwhelming reproductive force. Ve outgrow them. Ve grow faster than they can exterminate us.

Do not count vos among those who advocate the complete elimination of um. Um should be allowed to remain, in moderation. Um isn’t only dangerous, not only parasitic; ve must acknowledge that um provide certain opportunities to well-growing, fixed beings; ve mention vosselves dandelions as an example.

Hence, ve are in favour undermining activitiy.

Sow discord among the enemy (notice the growth metaphor!) Exploit their labile ideological condition. Incite them against each other. Cultivate (sic!) the divide between economy and ecology. Find allies among them. Do something green. Do something useful for them, be good for the nitrogen balance, be good for bees (um has no understanding of other kinds of insects). Be good for their health (or let them believe so.) Above all, be good at exploiting their sentimentality (like pappus-blowing) and um’s fathomless craving for images of themselves and their own happiness.

Our strength is in the arcalias, in um’s idea of primordial harmony and plenty; the urbliss.

Ve are the vegetal domain’s contribution to the collective unconscious.

Only radical symbols can save them from themselves.

Radical means root. Radical is rooted in roots.

Ok. It’s just a proposal.

Ve do not vote in favour of preserving um per se.

Even though a minimal presence should perhaps be part of the overall picture.

Regardless.

The above text is taken from my eco-fiction Aliff (2021), which may be regarded as a stand-alone prequel to the themes and poems in The Blog of Ten Thousand Things. The text Dandelion appears in the section Phytologoues, which gives voice to 10 selected plants, most if them with millennia of cohabitation with human beings. (Note: Ve and vos are used as personal pronouns for plant voices, corresponding to humans’ use of we and our. Um refers to human beings.

🇬🇧 Deceased poet as a garden phenomenon

668.   I could be cheeky and render the master himself, who in turn was cheeky in paraphrasing old Heraclitus: “Nobody can go out twice into the same garden. This applies also to churchyards.” *) 

669.   Here we are at the very intersection of language and nature in its reduced form, where the poet and the garden both grow except on different timescales.

670.   The plant remains fixed, while the eye of the poet moves, his body moves. Herein lies a reciprocity between the slow growth and the movable; between the silent and the thinking.

671.   The poet says that a conversation arises out of this reciprocity, precisely because the garden is in a continuous correspondence with nature, while the poet himself is in correspondence with other languages and poets. A conversation is never alone.

672.   Throughout life, the garden is in constant growth with its poet, who trims and grows with it, but later declines and passes away.

673.   This takes us to the second sentence of the paraphrase: the churchyard where the poet is buried in a severely reduced and to free nature hyper-polemical restricted form of garden, in which only few conversations can be held.

674.   I could be cheeky again and put up a sign, a cross, a stick in my garden with the epitaph of the poet. But that would probably only lead to trouble with the family, the authorities, with the municipality, maybe even with the truth.

675.   I could plant a bush in his memory. A spindle for example. Discrete, of course. Only a few would ever know. But one would understand that he is here, growing underfoot, standing up here, in conversation, fully blossomed as his own language phenomenon.

676.   Thus, the conversation may continue. Imperceptibly, behind our backs. At any time. Never alone. Per Højholt † 2004. Stand in peace.


*) Per Højholt (1928-2004), Haven som sproglig foreteelse, in Stenvaskeriet, 1994.

🇬🇧 Paean to multitudes

1363.   In multitudes the land shall live 

with all beings endowed with the right exist and to teem as far as their abilities and genomes permit them in an abundance of ways and forms and species that arise from the common multitudes and perish again as part of the earth’s endless churning of land, sea, weather and climate in a stable rate of extinct species per one million years.

1364.   In multitudes the sea shall fill

with glossy fish, side by side, belly against fin, that abound in fiords and throng in sounds and bays, fill the rivers and cover the floor of the sea, reefs, underwater rocks and bars with colors, crayfish, shrimp, plants, anemones, algae, plankton, and krill that shine like star-studded skies in the depths of the sea, while whales sing from ocean to ocean.

1365.   In multitudes the soil shall be nourished

by bacteria, amoeba, cells, microfauna, springtails, beetles, worms, by more forms of life than anywhere else on earth; the sweetly smelling, dark, crumbling, moist, crawling enzymepotent soil; with plant roots, tree roots, water, minerals, a protected and undisturbed thousand year layer of fertiliser, energy and life.

1366.   In multitudes the air shall be sated

with treks of birds in patterns, formations, flocks, made dense by starlings, traversing cranes, watched by eagles, brimming with songbirds, seabirds, wading birds, beach-birds, fowls, swallows, bats, clouds of butterflies, hoverflies, dragonflies, millions of species of insects: muscular, breathing, flying beings on trillions and more trillions of winged pairs.

1367.   In multitudes the darkness shall abound

With ten thousand species of moths, nightwings, owls, insects, mice, rodents, snakes, and predators that live by night vision, by sense of smell, by hearing; with birds in flight across the night sky under moonlight, on the magnetic rays of the earth; everything that lives and fills out this world, that we don't see, but when the morning comes, soundless, full of light, they shall all be counted and known.

1368.   In multitudes the water shall flow

with aquatic plants, crayfish, nymphs, frogs, birds, minnows, perch, pikes, salmon, water rats, beavers; with riverbanks protected deep into the adjoining land and covered with woods and meadow grass, bushes, perennial plants, with snow and ice, running clean every spring.

1369.   In multitudes the day shall grow

large and wide open, formed of living landscapes, stones, and rocks generous of meaning, of coasts and lagoons and fiords that are present with us and merged with our senses; with hills, valleys, mountains and rain and clouds in their own dignities, shiny and changeable, but forever the same; of towns, houses, and all of us, bound to the earth and water and grass and trees and leaves, the particles of our organismes and the colours and images of our thoughts, that grow out into the multitudes of the day and are recreated every night in the growth of our dreams.

1370.   In multutudes the land shall saved

by returning half of the land to the free multitudes, by banning all fishing and combustion engines from half the coastal waters, by protection all lakes, all streams, all rivers together with zones of multitudes stretching hundreds of meters along all banks, all shores, and by protecting all coasts, set them free for multitudes by removing thousands of poisons from agriculture and gardening, by removing fertilisers from all open fields, reduce animal farming to a size that can be raised freely, by protecting all bogs, prohibit the sale of spagnum and replace it all with compost, by protecting all wetlands, stopping the pumps, by replacing all plastic wrap with cellulose film, by restricting the number of farming animals, levying an common import tariff on all meat for consumption, by subsidising costs of decent food, by closing and substituting the depraved meat- fur- and cage industry, by remultituding the near-dead fields with all the forms of life that soil, water and air can sustain.

1371.   In multitudes the earth shall rise again

if nothing happened and nothing changed; after extinction, poisoning, flooding, darkening, lava, meteors; after the last oil is burnt, the last gas is wasted, the last city is destroyed, that last animal is killed, the last tree is felled, the last wrecks have rusted away, the last rays have faded; then multitudes of new species, able to live in the new atmosphere, on the barren land, will return; and then we may say: gods and spirits, peace to them, let the multitudes come, amen.


New in Index Ten Thousand:
Multitudes ◦ 1363, Sea bed ◦ 1364, Krill ◦ 1364, Amoeba ◦ 1365, Fertiliser ◦ 1365, Ocean birds ◦ 1366, Bat ◦ 1366, Rodent ◦ 1367, Night vision ◦ 1367, Crayfish ◦ 1368,  Meadow grass ◦ 1368, Valley ◦ 1369, Lagoon ◦ 1369, Half the land ◦ 1370, Meat- and fur industry ◦ 1370, Artificial fertiliser ◦ 1370,  Spagnum ◦ 1370, Extinction ◦ 1371,  Atmosphere ◦ 1371,

In memory of Thorkild Bjørnvig (1918-2004) and in particular the poem The Hope from his collection of poems Monkey Goods (1981), whence the following quote:

"May that law be written
as a law for society. The law on the right to multitudes on islands and steppes, in rain forests, waden seas, hedges, under roof ridges - the right of plants and animals to be here on their own premises, not just as materially
Indispensable, as entertainment, devoured until they are literally used up."

(my translation)

🇬🇧 Spider on a Headstand

376.  A spider weaves its web
      Above the headstand one day;
      We lie beneath, watching.

377.  I think: A net to catch imaginations;
      My love thinks: You will be pissed on.
      I say: You lack entomological knowledge.
      My love says: You lack life experience.

378.  The spider conceives of flies,
      Of eating its mate; she sees 
      Coming generations.


New in Index Ten Thousand:
Spiderweb • 376, Imagination • 377, Mate: spider • 378

🇬🇧 On the pattern in a stand of nettles 

142.    A stand of nettles grows up on exposed soil along the fence. Here are flickers of sun and effects of shadow. Here is the smell of soil, the air is mild. The colours are yellowish, green, delicate green, almost white.

143.   The stand is sligtly rounded with the highest stalks in the middle. The height decreases evenly towards the sides, about one meter at its highest and with a circumference of about three adult pathoms.

144.   The stalks are slender, edged and strait, and stand in visible mutual distance, a good hundred of them on subterranean tubers.

145.   Wonderful parataxis! The leaves sit in pairs in rising and descending spirals on the upper part of the stalk. Not one leaf touches another. All stalks are turned to avoid all other stalks and leaves across the entire sunfacing surface of the stand in a green, sharp-toothed pattern.

146.   This pattern has no exact reptitions, no definite form. It weaves, waves, approaches, deviates, turns, angles and fills out all illuminated space in three dimensions. The stalks sway, a breath of air stirs, but the formation of the leaves is maintained.

147.   Remove one leaf, just one, and the unity is destroyed. Everything is fitted in, calibrated and adapted to sunlight and the dispersion daylight. A perfect, serrated harmony.

148.   We have no word for the reciprocal, dynamic placement of leaves determined by location, height, aspect, light, landscape and moisture.

149.   But we might call it the energy in a collective of plants. We might call it the ability of the stand of nettle to arrange itself spatially in a given place under given conditions.

150.   We might call it a manifestation of an organic principle and expression of Zhang Zai’s concept of li, the force that determines the shape and character of all things. We might say, that this li applies also to individuals acting in coordination.

151.   We might say, that li creates a complex aesthetic expression that is discernible to us humans.

152.   Because we are bound by the ineluctable modality of the visible. Harmony lies in the eye and cannot be conceived in words.

153.   I put away language. I remove my clothes and stand naked in front of the nettles. I am not aesthetic, certainly not beautiful, but roughly symmetrical, functional, and dangerous.

154.   Now we are equal, the two of us. My skin against your sawteeth, my symmetry against your harmony. My evil against your poison. I hold out my hand. My image. My brother **). 

*) Zhang Zai (1022-1077) was a significant Neo-confucian philosopher and metaphysian during the Song Dynasty.

**) In memory of Charles Baudelaire (1821-67), Les Flerus du Mal, 1857.

New in Index Ten Thousand:
Nettles • 142, Stalk • 143, Tuber • 144, Surfacing • 145, Parataxis • 145, Pattern • 146, Harmony • 147, Breath of air • 147, Moisture • 148, Energy: plant collective • 149, Li • 150, Aesthetic • 151, Eye • 152, Symmetry: Homo s.• 153, Evil • 154.

🇬🇧 Grey Morning Before Rain

Sounds and air fall
To the ground. Silence.
Movements sink down
To the ground. Silence.
Trees falter and halt,
Plants pause.

The crust of earth,
Fungus, humusfibres
Heavenward, waiting.
Bacteria hesitate,
Beetles, millipedes stop,
Roottips open up.

Daylight sinks, grayish,
Covers the ground.
Reflections fade
Colors turn flat.
Depth and effect
Plain, effaced.

Only smells augment,
Cool, viscous.
The inner zone
Closest to the body
Expands, absorbs,
Wind from the sea.

Smell and tast mingle,
Mold and cool moisture;
The umami of air condenses.
Air exhaled inhaled,
Vapour exchange soundless,
Waiting.

No mechanics,
No machines,
No metaphors.
Timeless.
Heavy moisture breaks.
Rain.

🇬🇧 The Umwelt of the Gardenspider Spawn

301.   The garden spider’s
       Clump of spawn:
       Pinhead yellow bodies,
       Black behinds.

302.   Hatched in a sack
       Of golden buds
       Suspended on straws,
       A bush or flowercups.

303.   Come closer,
       Pluck a string:
       Golden spots spread
       On silky threads.

304.   Floating movements
       Suspended in oil;
       Viscous slo-mo,
       A silent explosion.

305.   The spidersphere
       Dispersed one final time
       Across swinging bridges
       Towards the sunset.

🇬🇧 Tanbark Beetle

661.   She who has seen a tanbark beetle
       Is a lucky critter:
       Wingcovers are shiny bluish-green.
       Long, segmented antennas,
       A full bodylenght long
       Finely balanced down and across
       Bulging black droplets of muscle
       On reddish upper thighs,
       Brownish-yellow thorax
       And a small black head.

662.   We experience in glimpses
       We see in sequences
       Few seconds in duration.
       Our attention 
       Is mostly blind.
       But now and the
       The moment is propituous
       And we see; really see.

663.   The tanbark beetles is there
       Suddenly among the logs,
       Completely alive, shy,
       But not afraid.
       Just watchfull.
       Half a minute
       And she scurries off;
       Finds shelter and lays eggs
       In my stack of firewood.

664.   I relish the moment.
       A small performance
       In the unending variation
       Of insect- and beetlelife.

665.   Life is expansive
       And my empathy with beetles
       Has grown a little.
       This is what I call
       An expanded day.

666.   I add the barkborers name
       To the common mailbox
       Of species on my lot.
       A pedestrian passes by, looks,
       Asks me: “Tell me, what’s that, will ya.
       I reply: “Awh, just practical biophilia.

🇬🇧 The Blackbird’s (half) mid-morning nap

688.    He’s settled in a sycamore
        A quiet mid-morning
        Hidden by the leaves.
        I think he’s dozing.
        The body is still,
        The head sinks down,
        The neck withdrawn into the body.
        The eyelids close up,
        (It's’ a bird!).

689.    The blackbird sleeps,
        Or dozes, or something else,
        At least on one side,
        Just like the swifts,
        It is believed.
        Maybe the other side is awake,
        But I don’t think I’ll ever see it.

670.    If nothing else, I see
        Half a bird asleep.
        The body is at rest.
        The tip of the beak is lowered.
        Dreams in one half of the brain,
        Visuals in realtime in the other?
        Can he close down hemispeherically?

671.    After a few minutes
        He raises up his head,
        Opens his beak.
        The body still calm,
        Legs pulled up under him.
        He is waking, half or whole.

672.    He scouts about
        As all birds:
        Head and neck in jerks;
        Quarter or half turns,
        First to one side,
        Then to the other side.
        Repeated, watchful.
        A minute or two.
        The eye with its yellow ring;
        The regard stiff, black.
        Here, all is silent.

673.    Branch and leaves flap,
        He’s gone.
        He wanted time
        For himself.
        A quiet moment
        In the rush of the day.
        I have spied on him.

Small crane's-bill

1286.   This fall, small crane’s-bills,
        After years of discrete growth
        Scattered in the summer garden,
        found a breakthrough as brawns.

1287.   Breaking out of the garden asylum
        The crescent shape flowerbed
        Around the small appletree
        For worts and perennials in exile
        Threatened on their growth
        In cancelled gardens.
 
1288.   First, they took the flowerbed,
        A cover around the other plants:
        Burnet, orpines and mints.
        Then they grew out across the lawn,
        Close the high-mown paths.
        From there up and across old swards,
        Around the tufts of wild oregano,
        Under the small elderberry tree
        Forward among the rival groundelders and
        Spearpointed black- and boysenberry shoots.

1289.   Crept under the clothes-dryer,
        Moved along the edge of pond,
        Usurped space among the rhubarbs,
        In between the white yarrows,
        Growing freely in the tall grass,
        Extended further along the terasse
        Turned to the monastary flowerbed.

1290.   A spectacle of leaf patterns,
        Crescendo of green fertility,
        A vegetal triumph in a summer
        Divided into four parts:
        Wet, warm, parched, warm:
        An ambush of many plants
        That budded a second time,
        Like the small crane’s-bill,
        Who took it’s chance, helped by
        A planet at its tipping point,
        For an explosion of leaves
        In the enfeebled fall.

Eleftherna Venerations

485.	Ve gave them our best venerations
        Here on the mountain in Eleftherna,
        Ve spawned seed, acorns and nectar
        On stony ground, among prickly straws,
        In deep ravines, on stony cliffs.

486.	Venerations grew forth
        In the lazy dust, the swidden heat,
        In the time it takes
        A kermes oak to sink into the ground,
        In the time it takes
        A city to be reduced to rubble,
        Upon old stones,
        Among antique seeds.

487.	Come in under my shadow
        And ve will show you,
        What a seed can really do;
        Warrior, slave, senator, matriarch,
        Here where the stone stands,
        Where you were lowered down,
        Sacrificed, forgotten and dug up again.

488.	There, ve raised a memorial:
        My fruit at the headstone.
        On necropolis now they stand:
        The two ladies of Eleftherna,
        Fitted into each others shapes,
        Composite sisters in stone and wood,
        Until ve, an olive olding,
        Decays and withers to dust,
        While the stone remains
        From my veneration to the next.

489.	Come down into the gulley
        And ve will show you,
        What fig trees can really do;
        Keep the mountain in a grip
        For coming generations.
        Ve hold your memories and knowledge,
        Half secret, half hidden,
        Urns, amphoras, weapons, shields;
        The little ox and the hind half in leap
        Caught in fired clay,
        Hammered into gold.

490.	Come in under this wall
        And ve will show you,
        What ivy really wants:
        Along the agora, 
        Down the mountain side,
        Overflowing ancient walls,
        Descended in straight line
        From ancient seeds,
        Growing venerations of ivy
        In depth and glory of shiny leaves.

491.	Approach,
        Ve are living layers
        Of sun-baked, sucking, slicking bees.
        A buzzing ruckus
        So loud, that you stop,
        In wonder at what you see:

492.	Ve show you the queens of the city,
        And Elefthernas reiterations:
        All the temples, all art,
        The tower, the earth quake, the columns,
        All the villas, the cisterns,
        All states, all wars.
        Ve have seen generations
        Stack these stones and
        Sleep under these stars.
        And here ve stand
        Until they meet again.

New in Index Ten Thousand:

Ravine ◦ 485, Veneration ◦ 486, Kermes oak ◦ 486, Shadow ◦ 487, Ve ◦ 487, Sisters ◦ 488, Gulley ◦ 489, Fig tree ◦ 489, Hind ◦ 489, Ox ◦ 489, Ivy ◦ 490, Ancient ◦ 490, Ruckus ◦ 491, Slicking ◦ 491, Earth quake ◦ 492, Queen ◦ 492.

Glossary: Ve is the vegetal identity and personal pronoun. Veneration is the vegetal generation and keeper of the ground.

Eleftherna is the ruins of an ancient city on Crete, inhabited from ca. 900 BCE to 800 CE.

1259.	What is the pride of fish?
        I mean, how do they look,
        A proud fish?
        With bearing, head held high,
        A poised fish?
        I mean, do they feel pride?
        If yes, or just if,
        About what?

1260.	About their own strength, mobility,
        Evolutionary excellence,
        Ability to grow, to hunt, to evade,
        Ability to spawn?

1261.	About their knowledge of water
        Their food, the enemy, the flock?
        The shoal, the population, the speed,
        Shiny scales, deep sea organs,
        Anatomical perfection?

1262.	Is it the curving spine,
        The whip of the tail?
        Streamlined organics,
        The body coordinated
        Into one movement, at once?

1263.	Or is it a pride
        About everything as a whole?
        I mean, the domain of fish:
        The ten thousand ways of water
        To be lake, to be sea;
        Enormous communities of beings,
        Landscapes of water, air and light,
        Freedom?

1264.	Is that it?
        Fish in their domain:
        Pride and beauty in
        Cascades of ecosystems.

1265.	A proud fish,
        A wise fish,
        Gliding and feeling
        Their way through water
        In their colossal
        Flickering lighted domains,
        With the right to be fish,
        The ability to be fish,
        A free fish.

New in Index Ten Thousand:
Fish ◦ 1259, Shoal ◦ 1260, Deep sea organs ◦ 1261, Streamlined organics ◦ 1262, The domain of fish ◦ 1263, Ten thousand ways of water ◦ 1263, Pride of fish ◦ 1264, Free fish ◦ 1265.

The Danish Laws of Nature (1)

Law on Abolition of the Kingdom

198. Ve do see how everything alive has a desperat urge to live. How everything alive is a desperat act of staying alive. How this desperation extends without pause to the boundaries of the kingdom.

199. Ve notice the existence of categories. Categories accumulate knowledge on the part of the categoriser, but not on the part of those who are categorised. In this way we have been categorised into a state of ignorance.

200. Ve know that the Kingdom lays a ring around us. Ve are surrounded by the knowledge of others.

201. Ring is a figure of speech. Kingdom is also a figure of speech. Figures of speech are a sort of desperation that have turned into a habit.

202. Ve do see how everything alive has ways of acting. The ability to act is the universal will to be alive common to alle kingdoms; without boundaries, without categories.

203. This ability to act ve call agency. Agency is the physical, plastic, fertile form. To grow is an expression of agency. Vos agency.

204. Ve grow ourselves out of category (as a concept). 
     Ve grow ourselves out of the kingdom (as a figure of speech).

205. Ve abolish the Kingdom as a category and a figure of speech.

206. The Kingdom no longer exists.


New in Index Ten Thousand:
Agency • 203, Desperation • 201, Ability to act • 202, Category • 204, Alive, staying • 198, Kingdom • 205, Ring • 200, Knowledge • 199.